The Exhibitionist: Journal on Exhibition Making is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist has always defined itself as “by curators, for curators.”

Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry. The Exhibitionist has historicized, analyzed and critiqued a phenomenon it is itself symptomatic of—the rise of the curator since the 1960s, the ensuing explosion of curatorial creativity and the growing fascination with the discipline of curating. Over the 6+ years of its run, The Exhibitionist has published writings from many of the most prominent curatorial voices in the field, offering a who’s who of curatorial practice; contributors include Okwui Enwezor, Hans Ulrich Obrist, Mary Jane Jacob, Nato Thompson, Jessica Morgan, Maria Lind, Sofía Hernández Chong Cuy, Massimiliano Gioni, and more! 

Collected together in a monumental omnibus edition, the complete run of the journal is accompanied by a new introduction by founding editor Jens Hoffmann, and a critical approach to a theory of the exhibition by senior editor Julian Myers-Szupinska.

With the publication of this volume, The Exhibitionist closes a chapter of its existence as a print magazine and shifts its activities to the-exhibitionist.com.

Softcover, Perfect Bound, 975 pages, 7.5 inches x 10.25 inches, The Exhibitionist 2017.

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