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Covers are hand-painted by the artist, and vary in color.  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEach copy is entirely handmade and features different original newsprint on each page. This book is now in the collections of major American museums and art institutions including MoMA, the Getty, the Hammer Museum\/UCLA and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover, hand-bound, with 20 screen-printed images in 6 colors on 22 pages, 10.5\"x7\"x1\". Edition of 100 with 15 AP’s, 2011. 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Alexis' pictures offer a rare insight into the personalities that helped shape the scene including Michael Alig, James St James and Ernie Glam who has written the forward for this catalogue. Inside the main catalogue is a complimentary publication celebrating the flyers, posters and ephemera disseminated at the time for New York's most happening nights at clubs like the The World, Red Zone, Limelight, Tunnel \u0026amp; Save the Robots. Plus a fun flexi disc featuring an unreleased track by Ernie Glam! \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover, 200x290mm, 64pg, 46 color images; comes with supplementary 32pg book of club ephemera images, and a flexi disc feat. 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If you have any questions please \u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e\u003cspan\u003e!\u003c\/span\u003e","brand":"Fillip Magazine","offers":[{"title":"Default Title","offer_id":723291337,"sku":"6463","price":2.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Cheetham-SlideShows.jpeg?v=1399070442"},{"product_id":"walead-beshty","title":"Walead Beshty:  Pulleys, Cogwheels, Mirrors, and Windows","description":"\u003cp\u003e\u003cspan\u003eThis artist's monograph accompanied Beshty's 2009 show titled \u003c\/span\u003e\u003ci\u003ePulleys, Cogwheels, Mirrors, and Windows\u003c\/i\u003e at the University of Michigan Museum of Art in their Project Gallery where their exhibition series, UMMA Projects, is housed.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWorking across a range of media, London-born, Los Angeles-based artist Walead Beshty has consistently explored the boundaries between politics and aesthetics, consumption and critique. In his most recent work, Beshty has undertaken a meticulous investigation into the conditions and processes of artistic production. His monumentally-scaled photograms, created by folding large sheets of unexposed photo paper into three-dimensional forms and exposing them to variously-colored lights, produce geometric fields in which areas of sumptuous color are interwoven with passages of intense luminosity. In a related series of sculptures—comprised of shatterproof glass boxes sized to the volume of the FedEx shipping boxes in which they are transported (and which double as pedestals)—Beshty extends his inquiry beyond physical materials and technical processes to include the means by which artworks exist, circulate, and accrue value after they leave the studio. In addition to the challenge they pose to normative ideas about conservation and value, Beshty's boxes also ask us to rethink our notion of what an individual work “looks” like, as their appearance changes with each showing.\u003c\/span\u003e\u003c\/p\u003e","brand":"Walead Beshty","offers":[{"title":"Default Title","offer_id":723319933,"sku":"","price":8.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/img230.jpg?v=1449958603"},{"product_id":"alistair-frost-circa-2045","title":"Alistair Frost: Circa 2045","description":"\u003cp\u003eEdition of 200, 2010, \u003cspan\u003eBuk Szpan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e\u003cspan\u003e: \u003c\/span\u003e\u003cspan\u003eThis is either the last copy or one of the last copies of this book.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eIt has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/p\u003e","brand":"Buk Szpan","offers":[{"title":"Default Title","offer_id":723460681,"sku":"4881","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Frost-Circa2045_grande_194f5d42-c37b-48f5-ac53-3a5598cf253b.jpeg?v=1491519458"},{"product_id":"the-riot-grrrl-collection","title":"Lisa Darms, ed.: The Riot Grrrl Collection","description":"\u003cp\u003e\u003cspan\u003eFeminist Press presents \u003c\/span\u003e\u003cem\u003eThe Riot Grrrl Collection, \u003c\/em\u003e\u003cspan\u003eedited by Lisa Darms and with contributions by Johanna Fateman!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFor the past two decades, young women (and men) have found their way to feminism through Riot Grrrl. Against the backdrop of the culture wars and before the rise of the Internet or desktop publishing, the zine and music culture of the Riot Grrrl movement empowered young women across the country to speak out against sexism and oppression, creating a powerful new force of liberation and unity within and outside of the women's movement. While feminist bands like Bikini Kill and Bratmobile fought for their place in a male-dominated punk scene, their members and fans developed an extensive DIY network of activism and support. The Riot Grrrl Collection reproduces a sampling of the original zines, posters, and printed matter for the first time since their initial distribution in the 1980s and '90s, and includes an original essay by Johanna Fateman and an introduction by Lisa Darms.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eLisa Darms is a senior archivist at the Fales Library \u0026amp; Special collections at New York University, where she has created the Fales Riot Grrrl Collection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eJohanna Fateman is a writer, musician, record producer, and member of the post-punk band Le Tigre. 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In the cycle of works Rhodes presented in 2009 under the title “Dar Allers war ne'er eny Bear Bear” at Galerie Isabella Bortolozzi Gallery, for example, he linked Walt Disney's “Song of the South” (1946), a movie adaptation of Joel Chandler Harris's “Uncle Remus” stories, which are in turn based on the oral histories of the slaves on the plantations of the American South, to Stanley Kubrick's “The Shining” (1980). Building such connections allows him to take up the repressed depths of the American past and place them in new contexts. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan\u003ePublished on the occasion of the exhibition “Stephen G. Rhodes – The Law of the Unknown Neighbor: Inferno Romanticized” at the Migros Museum für Gegenwartskunst, Zurich, in 2013, by Les Presses du Réel.\u003c\/span\u003e\u003c\/span\u003e\u003cspan\u003ePublished on the occasion of the exhibition “Stephen G. 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If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Overduin and Kite","offers":[{"title":"Default Title","offer_id":724612705,"sku":"","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/stephen-g-rhodes-apologies-22.jpg?v=1450037384"},{"product_id":"rachel-kushner-the-flamethrowers","title":"Rachel Kushner: The Flamethrowers","description":"\u003cp\u003e\u003cspan\u003eRachel Kushner’s first novel, \u003c\/span\u003e\u003cem\u003eTelex from Cuba\u003c\/em\u003e\u003cspan\u003e, was nominated for a National Book Award and reviewed on the cover of The New York Times Book Review. Her second novel, even more ambitious and brilliant, is the riveting story of a young artist and the worlds she encounters in New York and Rome in the mid-1970s—by turns underground, elite, and dangerous.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eThe year is 1975 and Reno—so-called because of the place of her birth—has come to New York intent on turning her fascination with motorcycles and speed into art. Her arrival coincides with an explosion of activity in the art world—artists have colonized a deserted and industrial SoHo, are staging actions in the East Village, and are blurring the line between life and art. Reno meets a group of dreamers and raconteurs who submit her to a sentimental education of sorts. Ardent, vulnerable, and bold, she begins an affair with an artist named Sandro Valera, the semi-estranged scion of an Italian tire and motorcycle empire. When they visit Sandro’s family home in Italy, Reno falls in with members of the radical movement that overtook Italy in the seventies. Betrayal sends her reeling into a clandestine undertow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover with dust jacket, English, 200 pages, First edition printing, 2013.\u003c\/span\u003e\u003c\/p\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Default Title","offer_id":724616721,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/flamethrowercover.jpg?v=1450037581"},{"product_id":"michael-pfrommer-portikus","title":"Michael Pfrommer: Portikus","description":"\u003cp\u003e\u003cspan\u003eGerman and English text, with an afterward by Sophie von Olfers. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis booklet is a collection of texts on the work of Michael Pfrommer written by high-school students upon visiting the Portikus exhibition of his paintings in 2011.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eStaple-bound, softcover, 32 pages, \u003cspan\u003e17 x 26 cm, \u003c\/span\u003eone color and 15 b\/w illustrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e: This is either the last copy or one of the last copies of this book. It has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Bom Dia Boa Tarde Boa Noite","offers":[{"title":"Default Title","offer_id":724619541,"sku":"","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/pfrommer_1.jpg?v=1450037846"},{"product_id":"the-silver-bulletin-issue-7-5","title":"The Silver Bulletin","description":"\u003cp\u003e\u003cspan\u003eThe Silver Bulletin is a an arts publication based in Christchurch, New Zealand. Most content is written by local artists, designers, musicians and architects. This has lead to content that seeks to critically engage its audience in local matters relating to art and culture. This particular issue relates very much to the city itself, and is a follow-up to Issue 7.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e: This is either the last copy or one of the last copies of this book. It has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"OSXX","offers":[{"title":"Issue 7.5","offer_id":762109005,"sku":"","price":1.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/SilverBulletin-7.5.jpg?v=1400795193"},{"product_id":"andrew-kuo-indie-pop-jazz-chamber-pop-zine","title":"Andrew Kuo: Indie Pop, Jazz, Chamber Pop zine","description":"\u003cspan\u003eA stream of consciousness response to the LP Kaputt by Destroyer.\u003c\/span\u003e\u003cbr \/\u003e\u003cspan\u003eSoftcover, half-size, 65 pages, b\u0026amp;w, edition of 35, 2011. \u003c\/span\u003e","brand":"Andrew Kuo","offers":[{"title":"Default Title","offer_id":762190933,"sku":"","price":15.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Kuo-IndiePopJazzChamberPop.jpeg?v=1400797260"},{"product_id":"lay-flat-issue-two","title":"Lay Flat","description":"\u003cp\u003eLay Flat 02: Meta brings together a selection of contemporary artists whose photographs are conceptually engaged with the history, conventions and materiality of the medium itself. Photographs by Claudia Angelmaier, Semâ Bekirovic, Charles Benton, Walead Beshty, Lucas Blalock, Talia Chetrit, Anne Collier, Natalie Czech, Jessica Eaton, Roe Ethridge, Sam Falls, Stephen Gill, Daniel Gordon, David Haxton, Matt Keegan, Elad Lassry, Katja Mater, Laurel Nakadate, Lisa Oppenheim, Torbjørn Rødland, Noel Rodo-Vankeulen, Joachim Schmid, Penelope Umbrico, Useful Photography, Charlie White, Ann Woo and Mark Wyse are accompanied by the textual contributions of Adam Bell (Co-editor, The Education of a Photographer), Lesley A. Martin (Publisher\/Editor, Aperture Foundation), Alex Klein (Editor, Words Without Pictures), artists Noel Rodo-Vankeulen and Arthur Ou, as well a conversation between Lyle Rexer (Author, The Edge of Vision: The Rise of Abstraction in Photography) and James Welling, an artist who is seminal to this dialogue.\u003c\/p\u003e\n\u003cp\u003eEdited by Shane Lavalette and Guest Editor Michael Bühler-Rose.\u003c\/p\u003e\n\u003cp\u003eEdition of 2000.\u003c\/p\u003e\n\u003cp\u003eSoftover, perfect bound, 104 pages, February 2010.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e: This is either the last copy or one of the last copies of this book. It has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Lay Flat","offers":[{"title":"Issue 2","offer_id":762220169,"sku":"4391","price":15.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/layout.jpg?v=1478385234"},{"product_id":"chimurenga-magazine","title":"Chimurenga","description":"\u003cp\u003eThe latest issue of the Cape Town Africa-based cultural and literary journal,\u003cem\u003eChimurenga\u003c\/em\u003e, features words and images on the Third World project and links, real and imagined, between Africa and South Asia.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eChimurenga 14\u003c\/em\u003e, “Everyone Has Their Indian”, seeks to unpack the relation between Africa and South Asia. Born out of the ongoing conversation between divergent temporal registers, between different territories and bodies of thought, it can be seen both as a map of the actual lines that criss-cross the Mediterranean and Indian oceans and a log of possible journeys into a real and imagined territory called the \"Third World\". Theory runs adjacent to fiction, and photo essays share the space as hand-drawn maps, post cards and fragments of itineraries.\u003c\/p\u003e\n\u003cp\u003eThe contributions cover a wide variety of themes, ranging from security, sovereignty and sex, to mobility and music, issues of access, control and censorship, power and identity.\u003c\/p\u003e\n\u003cp\u003eFor example, Vivek Narayanan offers a poetic ode to Historical Anthropology, while Manu Herbstein and Achal Prabhala use a free flow of images, memories and realities to map hidden connections. Amitav Ghosh confesses of “xenophilia” and J.S. Saxena’s “Coffee-Brown Boy” asks “If that black cat can be White, why can’t I?” Artworks by Rigo 23, Kakudji, Rasheed Araeen and Ernest Mancoba redraw the boundaries and limits of identity and Philippe Rekacewicz’s itineraries retraces the African connection as a question and not a destination.\u003c\/p\u003e\n\u003cp\u003eOther contributors include Mahmood Mamdani, M. Neelika Jayawardane, Martin Kimani, Shailja Patel, Rustum Kozain, Akin Adesokan , Girija Tropp, Neo Muyanga, Binyavanga Wainaina, Pravasan Pillay , Andile Mngxitama , Naeem Mohaiemen , Tsuba Ka 23, Aleksandra Mir, The Speculative Archive and many more.\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e: This is either the last copy or one of the last copies of this book. It has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e","brand":"Chimurenga Magazine","offers":[{"title":"Issue 8","offer_id":762232493,"sku":"","price":18.0,"currency_code":"USD","in_stock":false},{"title":"Issue 14","offer_id":836180601,"sku":"","price":16.0,"currency_code":"USD","in_stock":false},{"title":"Issue 15","offer_id":836180797,"sku":"5124","price":25.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Chimurenga_14.jpg?v=1432408884"},{"product_id":"parisla","title":"Paris, LA","description":"\u003cp\u003eCurrent Issue #15: Music\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eMusic is the theme of this issue. Despite all of the uncertainties and reversals we are currently witnessing, musicians have always been good guides in moments of loss and despair. \u003c\/span\u003e\u003cem\u003eAll\u003c\/em\u003e\u003cspan\u003e music can be heard—listen to the truth it contains. Unlike the image, a static mode of representation, music engenders movement, creating a geometry of sound that makes sense to those who pay attention. Music embodies the very essence of democracy by bridging people from different cultures, different religions, and different ethnicities. Music—shared by an instrument (the ear) that has three times the connections with the brain than the eye does—liberates a source of infinite feelings to overcome. This geometry does not move in straight lines—it’s not a simple to-and-fro. It travels in overlapping orbits, where the path from one point to another is always \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContents\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCover: ASH B., 2016, Photograph by \u003ca href=\"https:\/\/shop.oogaboogastore.com\/search?type=product\u0026amp;q=tillmans\"\u003eWOLFGANG TILLMANS\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e[I’M A] SUPERNATURAL BEING\u003cbr\u003eA flexi disc by \u003ca href=\"https:\/\/shop.oogaboogastore.com\/products\/wives-roy-tapes-12\"\u003eD.A. SPUNT\u003c\/a\u003e from DoPe Press Editions\u003c\/p\u003e\n\u003cp\u003eRUNNING IN THE RAIN\u003cbr\u003eJosh Da Costa chats with \u003cstrong\u003eMATT FISHBECK\u003c\/strong\u003e about Solid Rain\u003c\/p\u003e\n\u003cp\u003eMY GIRL — YELLI YELLI IN HER OWN WORDS\u003cbr\u003eText and collages by \u003cstrong\u003eEMILIE HANAK\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSABBATH AT THE GARDEN\u003cbr\u003eText and photographs by \u003cstrong\u003eNOAH LYON\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNO RETIREMENT PLAN\u003cbr\u003eA conversation with \u003ca href=\"https:\/\/shop.oogaboogastore.com\/products\/yoshimo-yunnan-colorfree-cd\"\u003e\u003cstrong\u003eKIM GORDON\u003c\/strong\u003e\u003c\/a\u003e and \u003cstrong\u003eCARRIE BROWNSTEIN\u003c\/strong\u003e\u003cbr\u003eabout making music and writing books\u003c\/p\u003e\n\u003cp\u003eLEAK EVERYTHING\u003cbr\u003eDean Spunt of \u003ca href=\"https:\/\/shop.oogaboogastore.com\/search?type=product\u0026amp;q=no+age\"\u003eNo Age\u003c\/a\u003e chats with \u003ca href=\"https:\/\/shop.oogaboogastore.com\/search?type=product\u0026amp;q=odwalla\"\u003e\u003cstrong\u003eODWALLA88\u003c\/strong\u003e\u003c\/a\u003e —\u003cbr\u003e\u003ca href=\"https:\/\/shop.oogaboogastore.com\/search?type=product\u0026amp;q=chloe+maratta\"\u003eChloé Maratta\u003c\/a\u003e and Flannery Silva — about youth in the digital age\u003c\/p\u003e\n\u003cp\u003eTHE FIVE ELEMENTS OF HIP HOP (ACCORDING TO A QUEEN,NOT A BITCH OR A HO)\u003cbr\u003eA portrait of \u003cstrong\u003eLADY TIGRA\u003c\/strong\u003e by Shannon Randall, photographs by Estevan Oriol\u003c\/p\u003e\n\u003cp\u003eMIDNIGHT RADIO\u003cbr\u003e\u003cstrong\u003eAARON BONDAROFF\u003c\/strong\u003e on \u003cstrong\u003eKNOW WAVE\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSOUND AND VISION\u003cbr\u003eA conversation with \u003cstrong\u003eWOLFGANG TILLMANS\u003c\/strong\u003e about art, music, and poetry, by Dorothée Perret\u003c\/p\u003e\n\u003cp\u003eLIFE ON MARS\u003cbr\u003eAn essay on \u003cstrong\u003eDAVID BOWIE\u003c\/strong\u003e by Evan Moffitt\u003c\/p\u003e\n\u003cp\u003eTHE LILT AND THE FRICTION\u003cbr\u003eAnh Do and Eli Diner talk with\u003cstrong\u003e CAROLINE SHAW\u003c\/strong\u003e about the subtle variations between composing\u003cbr\u003eand performing music\u003c\/p\u003e\n\u003cp\u003eSPATIAL ENTITLEMENT\u003cbr\u003eA conversation with GAYE THERESA JOHNSON about the cross-definitions of space and sound\u003c\/p\u003e\n\u003cp\u003eA TIME TO BE BORN\u003cbr\u003e\u003cstrong\u003eTAYLOR MAC\u003c\/strong\u003e on performance and the risks of polarization — an interview with Barlo Perry\u003c\/p\u003e\n\u003cp\u003eINK BLACK \/ #383B3E\u003cbr\u003eAn excerpt from The Standard Book of Color by \u003cstrong\u003eANDREW BERARDINI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMETAL SHOP\u003cbr\u003eCurators \u003cstrong\u003eSOHRAB MOHEBBI \u003c\/strong\u003eand\u003ca href=\"https:\/\/shop.oogaboogastore.com\/search?type=product\u0026amp;q=aram+moshayedi\"\u003e\u003cstrong\u003e ARAM MOSHAYEDI\u003c\/strong\u003e\u003c\/a\u003e on music in the museum space\u003c\/p\u003e\n\u003cp\u003eSTANDING ROCK SOUNDTRACK\u003cbr\u003eA road trip to Oceti Sakowin Camp in North Dakota by \u003ca href=\"https:\/\/shop.oogaboogastore.com\/search?type=product\u0026amp;q=oscar+tuazon\"\u003e\u003cstrong\u003eOSCAR TUAZON\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"DoPe Press","offers":[{"title":"Issue 15: Spring 2017","offer_id":33068795081,"sku":"9065","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Issue 14: Winter 2016","offer_id":17097540101,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Issue 12: Fall 2014","offer_id":3532692485,"sku":"7192","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Issue 10: Fall 2013","offer_id":840775089,"sku":"","price":14.0,"currency_code":"USD","in_stock":true},{"title":"Issue 9: Summer 2013","offer_id":840773917,"sku":"","price":20.0,"currency_code":"USD","in_stock":true},{"title":"Issue 2: Summer 2009","offer_id":762322849,"sku":"","price":14.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Paris_LA_15.jpg?v=1519256302"},{"product_id":"frances-stark-collected-works","title":"Frances Stark: Collected Works","description":"\u003cspan\u003eConceived as a follow-up to her \u003c\/span\u003e\u003ci\u003eCollected Writing: \u003c\/i\u003e\u003ci\u003e1993-2003\u003c\/i\u003e\u003cspan\u003e, this book offers a walk-through of Stark's visual work over the years, accompanied on each page by her incisive and humorous commentary of the circumstances and thoughts associated with each piece. \u003c\/span\u003e","brand":"Frances Stark","offers":[{"title":"Default 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The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/p\u003e","brand":"Boabooks","offers":[{"title":"Default Title","offer_id":770139293,"sku":"5796","price":18.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Sheshivari-MacadamCowboyVanishing.jpg?v=1401312236"},{"product_id":"walead-beshty-natural-histories","title":"Walead Beshty: Natural Histories","description":"\u003cspan\u003e\"In-between time\" has always been important to Beshty's work: this monograph chronicles 10 years of Beshty's approach to photographic and sculptural representation, and concentrates on \"in-between time\" as it applies to means of production, such as air travel or the mailing of a package. The book also contains newly commissioned essays by Suzanne Hudson and Nicolas Bourriaud, as well as a conversation between Bob Nickas and Beshty. With a forward by Jacob Fabricius and Ferran Barenbilt.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSoftcover, 9.25 x 11.25 in., 160 pages (97 color, 97 b\u0026amp;w), 2011.\u003c\/span\u003e","brand":"DAP Books","offers":[{"title":"Default Title","offer_id":770240309,"sku":"","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Beshty-Natural_Histories.jpg?v=1401317720"},{"product_id":"paper-monument-issue-three","title":"Paper Monument","description":"\u003cp\u003e\u003cspan\u003eContributions by: Timothy Aubry, Sarah Hromack, Roger White, Jessica Slaven, Dushko Petrovich, Jason Murison, Christopher Hsu, Lauren O’Neill-Butler, Naomi Fry, Claire Jarvis, James Bae. 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The workshop also offers a printing service limited edition silkscreen and Risograph.\u003cbr\u003eActivities Charmant \u0026amp; Courtois focus on publishing, dissemination and promotion of arts and culture. Charmant \u0026amp; Courtois works closely with entrepreneurs, artists, broadcasters and designers open to experimentation in the process of visual communication. Desire to innovate while respecting the traditions of the profession is central to the vision of the group. The workshop wants to keep control and moral integrity of his work, from design to production, with a view to guarantee an original and thoughtful.\u003c\/p\u003e\n\u003cp\u003e\"Pure Jaquette\" is a zine conceived and produced for Publie\/Autopublie exhibition's By The Book at Art Pop Montreal. Again, the colorfull collectif of Charmant \u0026amp; Courtois Montreal base are behind this zine. 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The photos in this book literally refer to such an unfamiliar natural phenomenon, a phenomenon that appears twice a year during the end of the autumn and the beginning of spring for the period of one week in an area in the Swiss Alps. During the winter season a village is permanently covered by the shadow of a high mountain in the west, which eliminates all direct sunlight. A week before darkness falls, the sun appears one more time after it has set every evening. A mysterious phenomenon known as 'Abendsonne'.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHardcover, 11 3\/4 in. x 14 1\/4 in., 14 board pages, color photographs, 2011.\u003c\/span\u003e","brand":"Misha de Ridder","offers":[{"title":"Default Title","offer_id":772530285,"sku":"","price":85.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/deRidder-Abendsonne.jpeg?v=1401401754"},{"product_id":"pablo-bronstein-postmodern-architecture-in-london","title":"Pablo Bronstein: Postmodern Architecture in London","description":"\u003cp\u003e\u003cspan\u003eMimicking an architectural almanac of the nineteenth century, artist Pablo Bronstein presents the Postmodern architecture of London. Each building is described by a drawing and text by the artist. 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If you have any questions please \u003c\/span\u003e\u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/p\u003e","brand":"Hue and Cry Journal","offers":[{"title":"Issue 6","offer_id":776445857,"sku":"5680","price":16.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/HueandCry-6.jpeg?v=1401660297"},{"product_id":"queer-zines-2","title":"AA Bronson \u0026 Philip Aarons: Queer Zines Vol. 2","description":"\u003cp\u003eWith comprehensive bibliographies of more than 120 titles, Queer Zines 2 offers a visually arresting, intellectually provocative, and unashamedly sexy take on the rich output of contemporary queer zinemakers. Including both an expanded focus on overlooked ‘historical’ publications dating from the early 70s onward, as well as extensive entries charting a new generation of queer zinesters, this second volume offers a broad survey of the vibrant and evolving medium.\u003c\/p\u003e\n\u003cp\u003eQueer Zines 2 includes over a dozen new essays, including writing by Bruce LaBruce, Edie Fake, K8 Hardy, Scott Treleaven, and more. 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K. Chesterton from 1908. This mysterious crime story about a seven-headed anarchist council, which consists of spies from the London secret police, addresses a world in a permanent state of emergency. Yet in the end, the real danger emanates from artists and intellectuals. The text weaves an unsettling web out of surveillance and anxieties, takes unexpected metaphysical turns and ends in utter chaos. Nothing less than the question of what constitutes genuine anarchy is negotiated. Are the policemen who defend law and order the real anarchists? Is the law necessarily based on the act of its transgression?\u003cbr\u003e\u003cbr\u003eThe atmospheres conjured up in the book, ranging from discomfort to paranoia, resonate in many ways with the present. In a time when the German intelligence service enables assassinations by neo-Nazis, or criminal banksters loot globalized financial markets, political-philosophical ambiguity, as described by Chesterton with its causes and consequences, is as red hot as the question of whether a system can be reformed from within or has to be detonated by a coming insurrection. Thus, the exhibition and book fuse the skepticism of classical modernity toward absolute freedom with contemporary attitudes. Additionally, the curators and editors have formulated a criticism of the dominance of neoliberal and plutocratic models of society. But \u003ci\u003eThe Man Who Was Thursday\u003c\/i\u003e is also a defense of nonsense. And this denial of logic is taken very seriously, considering that the novel’s subtitle reads: \u003ci\u003eA Nightmare\u003c\/i\u003e. 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The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Public School Editions","offers":[{"title":"Default Title","offer_id":805968561,"sku":"6600","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Peralta-19701977.jpg?v=1403314353"},{"product_id":"matt-connors-a-bell-is-a-cup","title":"Matt Connors: A Bell is A Cup","description":"\u003cp\u003e\u003cspan\u003eA Bell is a Cup has been published by Rainoff to coincide with the exhibition \u003c\/span\u003e\u003cem\u003eImpressionism \u003c\/em\u003e\u003cspan\u003eby Matt Connors, held at MoMA PS1. 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It was one of the few books that dared to look at how radical feminism could and should shape the future; and one whose predictions (the cybernetic revolution, for example) proved startlingly prescient of issues today.\u003c\/p\u003e\n\u003cp\u003ePublished by Semiotext(e) in 1998, \u003ci\u003eAirless Spaces\u003c\/i\u003e, Firestone's first work of fiction, is a collection of short stories written by Firestone as she found herself drifting from the professional career path she'd been on and into what she describes as a new \"airless space.\" These deadpan stories, set among the disappeared and darkened sectors of New York City, are about losers who fall prey to an increasingly bureaucratized poverty and find themselves in an out of (mental) hospitals. But what gives characters such as SCUM-Manifesto author Valerie Solanas their depth and charge, is their the small crises that trigger an awareness that they're in trouble.\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eSome time later, after I had moved to St. Mark's Place, I saw Valerie in the street. She asked me for a quarter, and I saw that she was begging. She had lost her apartment, and presumably her welfare. Later, a friend of mine who ran a store on St. Mark's Place said that Valerie had approached him for shelter. She was covered with sores, and wearing only a blanket to beg in. She had been out on the street approximately three months without shelter. 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If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003e\u003cspan\u003eemail us\u003c\/span\u003e\u003c\/a\u003e!\u003c\/p\u003e","brand":"Nieves","offers":[{"title":"Default Title","offer_id":820570477,"sku":"","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Miyagi-AkazukinC.jpg?v=1404178400"},{"product_id":"animal-shelter","title":"Animal Shelter Journal","description":"\u003cp\u003eAnimal Shelter is an occasional intellectual journal on Art, Sex, Literature published by Semiotext(e) and edited by Hedi El Kholti.\u003c\/p\u003e\n\u003cstrong\u003eAnimal Shelter 4 \u003c\/strong\u003ewas edited by Hedi El Kholti and Robert Dewhurst. 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The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eAnimal Shelter 3\u003c\/strong\u003e seeks the roots of our present malaise by moving out to places usually considered ‘obscure’ or ‘exotic’: Argentina, the West Indies, Mali, rural Florida. It features fiction, philosophy, poetry, analysis, \u0026amp; interviews, with an accent on archival documents. \u003c\/p\u003e\n\u003cp\u003eA short story by TISA BRYANT on the afterlife of Antiguan slavery.  A short story by MICHAEL CARROLL on sex \u0026amp; languor in Key West.  JEAN EUSTACHE in conversation with Wade Novy. PIERRE GUYOTAT on childhood, pubescence, poetry.  A short story and collage by RICHARD HAWKINS.  GUY HOCQUENGHEM on the imperialism of the couple.  An unpublished COOKIE MUELLER  short story.  GRACE NDIRITU on responsible tourism.  A short story by DALIA ROSETTI on jailhouse tattoos.  A poem by HEATHCOTE WILLIAMS on Otto Muehl \u0026amp; animal liberation.\u003c\/p\u003e\n\u003cp\u003eOther contributors include: Melissa Barrett, Robert Dewhurst, Tony Duvert, Iris Klein, Fernanda Laguna, Lodovico Pignatti Morano, Jean-Jacques Schuhl, Noura Wedell.\u003c\/p\u003e\n\u003cp\u003eArt by: Gary Lee Boas, Shannon Durbin, Matt Fishbeck, Kathryn Garcia, Mim Goodman, Peter Hujar, Eli Langer, Tracy Nakayama, Grace Ndiritu, Warren Neidich, A. L. Steiner…\u003c\/p\u003e","brand":"Semiotext(e)","offers":[{"title":"#4","offer_id":1331975500,"sku":"7649","price":12.0,"currency_code":"USD","in_stock":false},{"title":"#3","offer_id":1331975496,"sku":"6538","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/animalshelter_cover.jpg?v=1568063651"},{"product_id":"anthony-pearson","title":"Anthony Pearson","description":"\u003cp\u003ePublished in conjunction with the exhibition\u003ci\u003e \"\u003c\/i\u003eAnthony Pearson\" at the Contemporary Art Museum St. Louis, October 18 - November 25, 2012. \u003cspan\u003eText \u003c\/span\u003eby Chief Curator Dominic Molon.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.5;\"\u003e26 pages, 8 plates, \u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003eSoftcover, \u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003eContemporary Art Museum St. Louis\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"line-height: 1.5;\"\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e: This is either the last copy or one of the last copies of this book. It has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Anthony Pearson","offers":[{"title":"Default Title","offer_id":822175741,"sku":"6102","price":6.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/AP_Catologue_Contemporary_Art_Museum_St__Louis0.jpeg?v=1404255190"},{"product_id":"mike-kelley-arenas","title":"Mike Kelley: Arenas","description":"\u003cdiv\u003eMike Kelley’s \u003cem\u003eArenas\u003c\/em\u003e series of the late 80s and early 90s mark a shift away from the artist’s performance-oriented activity and towards a new sculptural dexterity, in which cultural resonance is elicited from an eerie reframing of everyday objects. First exhibited in 1990 at Metro Pictures, the Arenas are comprised of stuffed animals arranged around the edges of blankets (or occasionally posed isolate in their center). Ten or twenty such toys in such groupings might convey a cheery childhood picnic scenario, but Kelley rarely selects more than five or six, and places them carefully so that their cuddliness and their capacity to comfort is entirely canceled out. Instead, we encounter the toy as a commodity entity—a mass-manufactured product positioned to enter into play but far from inviting it. Skarstedt’s exhibition of seven of the elevenArenas is here recorded in superb installation shots and with critical commentary.\u003c\/div\u003e","brand":"DAP Books","offers":[{"title":"Default Title","offer_id":822308813,"sku":"","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Kelley-Arenas.jpg?v=1404261412"},{"product_id":"gwen-allen-artists-magazines-an-alternative-space-for-art","title":"Gwen Allen: Artists' Magazines, An Alternative Space for Art","description":"\u003cp\u003eMagazine publishing is an exercise in ephemerality and transience; each issue goes out in the world only to be rendered obsolete by the next. To publish a magazine is to enter into a heightened relationship with the present moment. During the 1960s and 1970s, magazines became an important new site of artistic practice, functioning as an alternative exhibition space for the dematerialized practices of conceptual art. Artists created works expressly for these mass-produced, hand-editioned pages, using the ephemerality and the materiality of the magazine to challenge the conventions of both artistic medium and gallery. In \u003ci\u003eArtists' Magazines\u003c\/i\u003e, Gwen Allen looks at the most important of these magazines in their heyday (the 1960s to the 1980s) and compiles a comprehensive, illustrated directory of hundreds of others.\u003c\/p\u003e\n\u003cp\u003eAmong the magazines Allen examines are \u003ci\u003eAspen\u003c\/i\u003e (1965–1971), a multimedia magazine in a box—issues included Super-8 films, flexi-disc records, critical writings, artists' postage stamps, and collectible chapbooks; \u003ci\u003eAvalanche\u003c\/i\u003e (1970-1976), which expressed the countercultural character of the emerging SoHo art community through its interviews and artist-designed contributions; \u003ci\u003eArt-Rite\u003c\/i\u003e (1973-1978), an irreverent zine with a disposable, newsprint format; \u003ci\u003eReal Life\u003c\/i\u003e (1979-1994), published by Thomas Lawson and Susan Morgan as a forum for the Pictures generation; \u003ci\u003e0 to 9\u003c\/i\u003e (1967–1969), a mimeographed poetry magazine founded by Vito Acconci and Bernadette Meyer; \u003ci\u003eFILE\u003c\/i\u003e (1972–1989), founded by the Canadian collective General Idea, its cover design a sly parody of \u003ci\u003eLife\u003c\/i\u003e magazine; and \u003ci\u003eInterfunktionen\u003c\/i\u003e (1968–1975), founded to protest the conservative curatorial strategies of Documenta. These and the other magazines Allen examines expressed their differences from mainstream media in both form and content: they cast their homemade, DIY quality against the slickness of an \u003ci\u003eArtforum\u003c\/i\u003e, and they created work that defied the formalist orthodoxy of the day. 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On entering the installation, viewers’ eyes slowly adjust to the low light as an ephemeral panorama continuously unravels in the surrounding space and gradually comes into its full vibrancy.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003eLeonard’s camera obscuras have been sited in cities in Europe and the United States, from Venice and London to New York and Marfa. This title explores this body of work through photographs that document these installations in five international cities. Zoe Leonard was the recipient of the eighth Bucksbaum Award for her camera obscura 945 Madison Avenue at the 2014 Whitney Biennal.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003eEdited by Karen Kelly and Barbara Schröder. Texts by Diedrich Diederichsen, Suzanne Hudson, Glenn Ligon and Eileen Myles. \u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003eHardback with Dust Jacket, \u003cspan style=\"line-height: 1.5;\"\u003e168 pages with 115 color illustrations, 9.1 inches x 11.1 inches,\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"line-height: 1.5;\"\u003eRidinghouse\/Dancing Foxes Press, 2014.\u003c\/span\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RAM Publications","offers":[{"title":"Default Title","offer_id":822347993,"sku":"","price":45.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Leonard-AvailableLight.jpg?v=1493582357"},{"product_id":"penny-arcade-bad-reputation","title":"Penny Arcade: Bad Reputation: Performances, Essays, Interviews","description":"\u003cp\u003e\u003cspan\u003eA runaway at thirteen, a reform-school graduate at sixteen, a performer in the legendary New York City Playhouse of the Ridiculous at seventeen, and an escapee from Andy Warhol's Factory scene at nineteen, Penny Arcade (born Susana Ventura) emerged in the 1980s as a primal force on the New York art scene and an originator of what came to be called performance art. Arcade's brand of high camp and street-smart, punk-rock cabaret showmanship has been winning over international audiences ever since. This autobiographical trilogy of plays represents her at her best.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eBitch!Dyke!Faghag!Whore! is Penny Arcade's raucous, cutting-edge sex and censorship show (which continues to be a commercial hit around the world), featuring the daily life of a receptionist in a brothel, the upbringing and rearing of a \"faghag,\" the evolution of the New York gay scene in the 1990s, and a participatory \"audience dance break.\" The funny and heart-rending title work, Bad Reputation, portrays a young teen runaway's coming of age in a Catholic reform school (run by nuns who are former fashion models) and her subsequent life on the streets of 1960s New York. La Miseria, a rare depiction of working-class Italian-Americans from a woman's point of view that portrays the clash between working-class morals and compassion during the 1980s AIDS epidemic, rounds out the trilogy.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003e\u003cstrong\u003eBad Reputation\u003c\/strong\u003e\u003c\/em\u003e is the first book by and on \u003cstrong\u003ePenny Arcade\u003c\/strong\u003e. The complete scripts are accompanied by a new interview with Penny Arcade by Chris Kraus, a range of archival photographs of the East Village scene and Arcade's performances, an introduction by playwright Ken Bernard, and contributions by Sarah Schulman, Steve Zehentner, and Stephen Bottoms.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHardcover, Semiotexte. \u003c\/span\u003e\u003c\/p\u003e","brand":"Hedi El Kholti","offers":[{"title":"Default Title","offer_id":826008221,"sku":"4005","price":20.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Arcade-BadReputation.jpg?v=1404427778"},{"product_id":"david-hartt-belvedere","title":"David Hartt: Belvedere","description":"\u003cdiv id=\"content\"\u003e\n\u003cdiv class=\"post\"\u003e\n\u003cdiv class=\"text\"\u003e\n\u003cp\u003eBelvedere is a continuation of David Hartt's investigation of vernacular utopias-those places where the ideal has been forced to morph and adjust to the reality of the surrounding imperfect world. The book collects a suite of formally austere photographs taken at the Mackinac Center for Public Policy in Midland, Michigan. Hartt's subjects cover a broad ideological spectrum that highlight the range and potential of the American experience. The work in Belvedere focuses on the Mackinac Center for Public Policy, originators of the Overton window, a policy framing device used to adjust public opinion on a particular subject by positing radical viewpoints and thereby shifting the frame of reference closer to an intended outcome. 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The images document a loose narrative of serially staged bondage exploits, with subjects and photographer visibly learning to ply their craft together. The volume also captures the original advertising and typewritten texts — part nuts and bolts instructional, part pseudo-apologetic erotic prop — accompanying the visual fetish stories. Each of the 90 reproductions has been evaluated against multiple examples of the printed originals and conscientiously restored to maintain the aesthetic quality and intent.\u003cbr\u003e\u003cbr\u003eThe book’s abbreviated title omits critical information, mirroring a similar obfuscation in the interior images themselves. Concealing outfits were hand painted onto the images to cover the subjects’ original scanty attire in order to circumnavigate postal laws and political pressures. Although the models were not photographed naked, their underwear or bikini clad bodies and bare midriffs were leveraged as proof of indecency by regulators enforcing the staid mores of the era. The resultant painterly retouching is intermittently both artful and heavy handed, but passes largely unnoticed as part of a unified photographic whole until closer inspection.\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cbr\u003eThis discretionary self-censorship was likely a reaction to the United States Post Office Department’s investigations into allegedly obscene and crime-inciting matter sent through the mails, as well as to the Senator Kefauver-chaired hearings of the United States Senate Subcommittee on Juvenile Delinquency. Films like \u003cem\u003eThe Wild One\u003c\/em\u003e (1953) and \u003cem\u003eRebel Without a Cause\u003c\/em\u003e (1955) had propelled the image of the juvenile delinquent into the public consciousness, and in endeavoring to identify and quell the causes of the purported moral decay of American youth, conservative forces in the US Senate policed any media they could get purview over. The hearings famously created the comics codes, and the committee then further attempted to tie the discordant youth tribes and their deviant behaviors (inclusive of everything from talking back and listening to rock and roll, to gang crime) to pornographic access and influence. While the comics publishers had been forthcoming, the metro New York-based mail order businesses distributing fetish materials were more difficult to act against. It was ultimately the Postmaster General who leaned heavily on these shadowy concerns, at one point cutting off all of their incoming mail, and with it, the traffic of orders and income. Appeasements were made, though criminal allegations ultimately followed. The black and white brushstroke expurgations of \u003cem\u003eBP in B\u003c\/em\u003e are an artifact of a forgotten period of smutty small-publishing history, evidentiary concealments of a bizarre chronicle complete with improbable teenage gang alignments. \u003cem\u003eBP in B\u003c\/em\u003e is as much a book about painting as it is about photography or fetish.\u003c\/div\u003e","brand":"For the Common Good","offers":[{"title":"Default Title","offer_id":831726401,"sku":"6767","price":65.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/FortheCommonGood_BPinBondage.jpg?v=1433374186"},{"product_id":"bidoun-magazine","title":"Bidoun","description":"\u003cp\u003e\u003cspan\u003eSince 2004, Bidoun has filled a gaping hole in the arts and culture coverage of the Middle East, pioneering a distinctive voice that is intelligent, critical, and original. 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If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Bidoun","offers":[{"title":"Issue 28: Interviews","offer_id":831743077,"sku":"6290","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Issue 23: Squares","offer_id":40117618606174,"sku":"6974","price":15.0,"currency_code":"USD","in_stock":false},{"title":"Issue 27: Diaspora","offer_id":40117618638942,"sku":"5708","price":10.0,"currency_code":"USD","in_stock":false},{"title":"Issue 26: Soft Power","offer_id":40117618704478,"sku":"5516","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/img244.jpg?v=1525808766"},{"product_id":"danielle-mccullough-and-gabie-strong-blast-site","title":"Danielle McCullough and Gabie Strong: Blast Site","description":"\u003cp\u003e\u003cspan\u003eDanielle McCullough and Gabie Strong recently collaborated on Blast Site: A Workshop for Conjecture which was a sculptural, textual, edible and educational performance-based work as part of the High Desert Test Sites New Everyday Life Workshop series in Joshua Tree, CA. 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If you have any questions please \u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Danielle McCullough","offers":[{"title":"Default Title","offer_id":831760349,"sku":"5506","price":10.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/McCulloghStrong-BlastSiteV2_bac41342-d7ec-4965-a693-9c6c805237ec.jpg?v=1450829125"},{"product_id":"lizzie-borden-born-in-flames","title":"Lizzie Borden: Born in Flames","description":"\u003cp\u003eBorn in Flames, the publication, is an illustrated transcript of Lizzie Borden’s 1983 film ‘Born in Flames’, edited and designed by Kaisa Lassinaro. It includes an interview with Borden conducted in Los Angeles by Lassinaro, as well as the lyrics of Undercover Nation by The Bloods and Born in Flames by Red Crayola, kindly supplied by Adele Bertei and Mayo Thompson.\u003c\/p\u003e\n\u003cp\u003e‘Born in Flames poses the question of whether oppression against women will be eliminated under any kind of social system. […] It is a fantasy presenting a group of women who, confronted with the very “ordinary” oppression women have been experiencing for decades, refuse to take it any longer and become armed fighters against the government. Their position is that oppression against women is not eliminated automatically with “socialism” — not only do political values have to change, cultural values must change and become embedded in practice.’\u003cbr\u003e— Lizzie Borden in Heresies #16, 1983\u003cbr\u003eIn the spirit of Borden’s film, the publication was collectively funded by the following individuals and institutions:\u003cbr\u003eStuart Bailey, Heather Bradley, Eleanor Brown, Geoffrey Brusatto, Culturgest, Wayne Daly, Chris Evans, Beatrice Gibson, Nick Gordon, The Hawthorne Archive, Erna Hecey, Onno Hesselink, Will Holder, Jeff Khonsary, Koenig Books, Uriel Orlow, Falke Pisano, Philomene Pirecki, PrintRoom: Karin de Jong, Ewoud van Rijn, Pro QM, David Reinfurt, Jane Rolo, Catherine de Smet, Benjamin Thorel, Giulia Vallicelli, and Julia Zay.\u003cbr\u003e\u003cbr\u003eSoftcover, 32 pp., offset 4\/4, 210 x 297 mm, Edition of 1000, published in England.\u003c\/p\u003e","brand":"Central Books","offers":[{"title":"Default Title","offer_id":833569385,"sku":"5826","price":35.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Borden-BornInFlames.jpg?v=1404865608"},{"product_id":"chris-lipomi-and-natilee-harren-bounty","title":"Chris Lipomi and Natilee Harren: Bounty","description":"\u003cp\u003ePublished on the occasion of BOUNTY, an exhibition project by Chris Lipomi and Natilee Harren mounted at two locations in Los Angeles, The HMS Bounty and The Variety building, from November 7, 2011 - February 4, 2012. Includes an essay by Natilee Harren, a conversation between Harren and Lipomi, and documentation of the project.\u003c\/p\u003e\n\u003cp\u003ePaperback, 46 pages, \u003cspan\u003e9 x 6 in, \u003c\/span\u003eGyre \u0026amp; Gymble Publications 2012\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003e**\u003cstrong\u003ePlease Note\u003c\/strong\u003e: This is either the last copy or one of the last copies of this book. It has been on display for a while and has some wear and damages. The applied discount is to account for any damages and the book is for sale as is with no returns. If you have any questions please \u003c\/span\u003e\u003ca href=\"mailto:webshop%5Bat%5Doogaboogastore%5Bdot%5Dcom\"\u003eemail us\u003c\/a\u003e\u003cspan\u003e!\u003c\/span\u003e\u003c\/p\u003e","brand":"Natilee Harren","offers":[{"title":"Default Title","offer_id":833593645,"sku":"6420","price":12.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/LipomiHarren-Bounty.jpg?v=1404867309"},{"product_id":"jo-baer-broadsides-and-belles-lettres-selected-writings-and-interviews-1965-2010","title":"Jo Baer: Broadsides and Belles Lettres, Selected Writings and Interviews 1965-2010","description":"\u003cp\u003e\u003cspan\u003eApproximately 50 texts - richly illustrated -, published and unpublished, written between 1965 and the present: letters, essays, interviews, articles, facsimiles of illustrated texts, transcripts of talks, and a book-in-progress: Revisioning the Parthenon. The items are of disparate length and tone and cover subjects ranging from optics to orchids, cultural politics to ancient Greek iconography, art theory and philosophy to the mixed pleasures of living in a drafty castle in the Irish countryside. To all these diverse topics Baer brings formidable powers of analysis, rigorous logic, a penchant for provocation, lively wit and an inimitable, exacting use of language - the same ingredients that go into her art. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes \u003cstrong\u003eJo Baer: Revisioning the Parthenon\u003c\/strong\u003e\u003cspan\u003e, compressed version of a work in progress, appendix to \u003c\/span\u003e\u003cem\u003eJo Baer: Broadsides and Belles Lettres.\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDesign: Roger Willems. 184 pp hardcover + 64 pp appendix. Published by Roma Publications 2010\u003c\/span\u003e\u003c\/p\u003e","brand":"Idea Books","offers":[{"title":"Default Title","offer_id":836062617,"sku":"4978","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0317\/2901\/products\/Baer-SelectedWritings.jpg?v=1704902607"}],"url":"https:\/\/shop.oogaboogastore.com\/collections\/publications.oembed?page=29","provider":"ooga booga","version":"1.0","type":"link"}