Cà phê (coffee), atisô (artichoke), xi nê ma (cinema), căng tin (canteen) or xi-măng (cement): in the Vietnamese language, many words bear the imprint of a French origin. And what if the same were true of everyday objects? Somewhere between cultural anthropology, the epistemology of Vietnamese design and the sociology of objects, this research project analyses the production of objects in Vietnam in the light of French colonisation and decolonisation.
By means of reports, interviews, and research in various archival collections, the book reveals the mechanisms through which objects, foods, materials, and expertise became integrated into Vietnam to the point that they now display authentically Vietnamese characteristics. Through the prism of design and applied arts, Quang Vinh Nguyen and Émelie Laystary take a decolonial and critical look at the creativity and adaptability of a country that has managed to appropriate the techniques of a dominant power. The resulting research work also becomes an archive of the present and provides insight into everyday life in Vietnam then and now.
Research project (2024) with Quang Vinh Nguyen, Cynthia Ammann, Chi-Long Trieu
| Softcover, 248 p, ills colour & bw, 17 x 24 cm, French/English |