Sherry’s approach to the medium challenges categorical ideologies and the question of photographic truth. It could be argued that no photograph can be completely detached or objective, but the distinction concerning a photographer’s intent seems to divide directives: aesthetic or objective. With this collection of “truthful” images, presented in exaggerated colors, the artist marries opposing categorizations, or the division implied therein.
Printed on card stock with spiral comb binding, 70 Pages, 14.5 x 12 in, limited edition of 1000, published by Mörel 2015.
*Remaining copies may have some surface damage to the cover but all have been signed by the artist.